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Film analysis The Godfather
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The Godfather, directed by Francis Ford Coppola is just another American gangster film, but what makes it different is its ability to coherently tie in many different sub-themes into a whole complex, yet smooth flowing story using an almost .operatic・ approach. The central theme of the film and probably the driving force behind the whole storyline is :the individual・s impotence against established societal structures. ...
The baptism sequence marks a major turn in the film and more importantly, Michael Corleone・s character. The sequence cuts between Michael at the church agreeing to become his nephew・s godfather and the assassinations of their family rivals. ... This again emphasizes the operatic qualities of the film. ... ; Michael, throughout the film has been trying to legitimize the family business so that his family can live under the light, but every time he comes close to success, he would be sucked back into the whirlpool. ...
The Godfather trilogy has sometimes been claimed as a film that :defined a genre; in that it is not purely a gangster film consisting of violence, but rather using it as a medium to portray the characters of a gang on a deeper and more humanitarian level through the use of different cinematic techniques.
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Paper Information
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Title: Film analysis The Godfather
Words: 1016 Rating: None Pages: 4.1 submitted by: julz4richie
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