Trifle
Major #1: Since this is the first play we’ve read, the stage direction really caught my eye and I tended to consider it very seriously in determining the meaning of the work. The most obvious direction, which the essay by Parrish discusses, is that neither Mr. nor Mrs. Wright ever appear in the play, and Glaspell was the first to use this type of direction (which was later recognized as uniquely her own.) Other important examples of the play’s direction (not spoken lines) are: ( ... she is disturbed now and looks fearfully about as she enters.) (Stops, his face twitches.) In a manner of returning to familiar things.) Glaspell uses this direction several times. (Silence; then as if struck by a happy thought and relieved to get back to everyday things.) (Mrs. Hale glances in a covert way at Mrs. Peters.) (Pulling herself back.) this is an emotional direction, not a physical one Glaspell’s decision to present "Trifles" as a play instead of its short story original form (titled :"A Jury of Her Peers) gives the reader an opportunity to "see" the action better than usual, and therefore get a clearer understanding of the author’s meaning.