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Papers > Art > Emily of Emerald Hill
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Emily of Emerald Hill |
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Question: Is Emily of Emerald Hill a victim, a victimizer or neither? Upon attempting this question, I found it extremely difficult to specifically classify Emily’s character as being either a victim or a victimizer. In addition, to classify Emily’s character as being neither a victim nor a victimizer is to thoroughly miss the picture. ... Thus, as a reader, I found it most apt to conclude that Emily’s character is both that of a victim and a victimizer. ... Simply put, without the circumstances and experiences in which Emily’s character was relegated to the role of a victim, there wouldn’t emerge the “Emily” who assumes the role of a victimizer. ... ” This quote aptly depicts my stand of how Emily’s character is both a victim and a victimizer. ... Thus it would be too “one-dimensional” to simply categorize Emily’s character as being either a victim a victimizer or neither. Before attempting to distinguish the dichotomies surrounding this character, the duality that Emily’s character displays can be further exemplified and understood by referring to another literary character. In Tennessee Williams’s “A Streetcar Named Desire”, the situation that the main protagonist “Blanche Dubois” faces is somewhat similar to Emily’s character. ... ” Similarly, Emily’s character starts out as an abandoned victim who is forced into marriage, and who at the end of the text, eventually ends up alone and detached. More importantly, the instances in which Emily is portrayed as a victim contributes significantly to her mindset and actions with regards to her own family. ... Firstly, the reader witnesses that Emily was indeed a victim of her parent’s rift. ... In addition, Emily’s ordeal as a child was coupled with a sense of abandonment and loss, for she was not only betrayed by her father, but she was also abandoned by her mother. ... ” Emily was also a victim as a result of her lowly position and status in the family. ... Emily’s character was also a “victim of society. ... ” Thus, Emily’s character, like many women of her time personally subscribed to these mindsets and prescribed roles. ... For example, this irony is seen through Emily’s depiction of her parents. ... ” On the other hand, despite her father’s betrayal to the family, Emily portrays him as being “a fine, jovial man.” Thus it is clear how Emily’s looks up to her father, and yet denounces her own mother, dismissing her mother’s suffering and pain. ... The author Stella Kon loosely based Emily’s character on that of her own grandmother. ... ” Emily seeks to gain influence and control by using her domestic power. ... A very important and relevant quote that speaks of Emily’s intentions states, “Then be the very devil of a wife and mother. ... ” This, Emily achieves through a course of subtle manipulation. ... In this context, the quilts that Emily makes for her family could be a display of her encompassing power over them. ... ” Firstly, Emily begins to assume her domestic position and the power that comes with it by manipulating the family members around her. ... In doing so, she not only displays her piety and respect, but more importantly, Emily uses this to demonstrate her power and influence. ... It is evident that Emily’s actions go beyond the aim of piety and respect. ... “Hiding triumph, Emily accepts homage of the brother and sister-in-law. ... Emily also comes across as being highly opinionated. ... As quoted by Steve Biko, “The most potent weapon in the hands of the oppressor is the mind of the oppressed” Emily not only attempts to control and oppress the actions of those around her, but she also seeks in controlling the minds of her family members in a bid to extend her power and influence. ... Thus, as a result of Emily’s own prejudices, ignorance and lack of judgment, she compromises their decisions and valorizes her own, thus subjugating her own children through the decisions that she makes. |
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Title: Emily of Emerald Hill
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