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Nineteenth Century RomanticismIn Music
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Nineteenth Century Romanticism
In Music
The terms ‘classic’ and ‘romantic’ as descriptions of style periods are not satisfactory for one major reason: both words have been used in literature, the fine arts, and history in general, with a much more variety of meaning than those we usually attach to them in music history. It is not simply the romantic characteristics that can be traced back into the eighteenth century, but it is rather that the great bulk of the music written from about 1770 to about 1900, which constitutes a single style period within itself, with a common stock of usable musical sounds, a common basic vocabulary of harmonies, common basic principles of harmonic progression, rhythm, and form, and a common musical intention with regards to composer, performer, and listener. ... It is this aspect which, perhaps, gives music of the Romantic Era its sense of longing and heightened emotions. Many of the arts tend to merge; poetry, for example, aims to acquire the qualities of music, wherein the actual sounds of the works begin to take on special, even musical significance. In much of the music of the nineteenth century there is a literary connection, even in instrumental music. Klaus says that only instrumental music –“pure music, free from the burden of words” – can perfectly attain the romantic goal of communicating emotions. He continues to say that it is further, “incomparable power of suggestion which works on the mind, without the mediation of words, made it the dominant art, the one most representative of the nineteenth century. ...
The word Romanticism was later taken up by musicians, to describe the changes in musical style, which took place soon after the turn of the century.
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Title: Nineteenth Century RomanticismIn Music
Words: 1390 Rating: None Pages: 5.6 submitted by: tooblessed
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