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Papers > Movies > Critical Analysis Punch Drunk Love
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Critical Analysis Punch Drunk Love |
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... S Distributor: Columbia Pictures Punch-Drunk Love can be put in the romantic comedy genre, but its character and screenplay style is quirky and offbeat, making it a unique type of movie. ... The first plot line is the love story commencing when Barry meets Lena (Emily Watson) a sweet yet solemn woman who sympathizes with Barry’s frightened, closed off existence, and who has the means to rescue Barry with her love – if only Barry would have the courage to let her. The couple engages in an awkward courtship process including a trip to Hawaii, but in the end love prevails. ... For the love story plot line between Barry and Lena, the climax comes when the couple are lying in their hotel bed in Hawaii whispering savage endearments to each other. This is the climax for this particular plot because it represents the love that is just being realized between the couple, and also because it shows the quirkiness of both the characters (ie. ... Visual Aspects The visual effects used in Punch-Drunk Love are there not only to create a realistic setting for the film, but are also used to enhance the storyline and themes that are present. ... The shot possess a dreamy quality, the soft hues and lush orchestrations combined with the touching moment come together to symbolize the happiness that Barry is feeling in finally realizing his love for Lena. ... Sound The sound in Punch-Drunk Love, like most movies is very important. ... The musical score in Punch-Drunk Love is a huge part of the film and like all typical Anderson films plays a vital role in producing the right aesthetic tone. ... This sets the tone for the dream like paradise of Hawaii where Barry and Lena realize they are in love with one another. ... Mise-en-Scene and Editing The editing in Punch-Drunk Love is in the ‘decoupage classique’ style, although the cutting and editing in the film somehow still seems a bit off kilter. ... This is another way of showing Barry’s mental state at different points of the film – at the beginning he is nervous and jittery, and near the end he is more contented and composed when he begins to fall in love with Lena. ... Evaluation Classifying Punch-Drunk Love into the genre of romantic comedy does not really do the film justice. Usually romantic comedies are full of soppy dialogue and weak storylines yet Punch-Drunk love has a unique style to it which separates the film from most movies in the ‘chic-flick’ genre. ... This original style of film may not be a success in the eyes of all critics, but Anderson still deserves respect for not making a commercial Hollywood style romantic comedy that would have made a lot more money than Punch-Drunk Love did. ... The storytelling becomes slightly more traditional and all the jumpy camerawork and concussive music calms down, showing the simple yet heartfelt love Barry and Lena share. ... That is something that stands out in Punch-Drunk Love; the shameless sincerity that comes across in the film as a whole. ... However stylistically diverse, this is what links his previous features, Hard Eight, Boogie Nights and Magnolia with Punch-Drunk Love – his genuine portrayal of social outcasts and misfit characters. Punch-Drunk Love is quirky and stylish, but not in a manner that comes off as overly artsy or pretentious. The sound, camerawork, composition, lighting, set design, and special effects combine to create a unique film that is effective in telling a love story with a happy ending. |
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Title: Critical Analysis Punch Drunk Love
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