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psycho
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The master of suspense skillfully manipulates and guides the audience into identifying with the main character Marion (a Phoenix real-estate secretary), and then with that character's timid murderer Norman - voyeuristically implicating the audience with the universal, dark evil forces and secrets present in the film. Psycho also broke all film conventions by displaying its leading female protagonist having a lunchtime affair in her sexy white undergarments in the first scene; also by photographing a toilet bowl - and flush - in a bathroom, and killing off its major 'star' Janet Leigh a third of the way into the film (in a shocking, brilliantly-edited shower murder scene accompanied by screeching violins). In this film, Hitchcock's gimmicky device, termed a MacGuffin (the thing or device that motivates the characters, or propels the plot), is the stolen $40,000. Marion Crane becomes a secondary MacGuffin after her murder. FRIDAY, DECEMBER THE ELEVENTH TWO FORTY-THREE P.M The shot pans across many skyscraper buildings, and after a series of numerous dissolves, randomly chooses to descend and penetrate deeper into one of many windows in a cheaper, high-rise hotel building - the window's blinds narrowly conceal the dingy interior. There, the camera pauses at the half-open window - and then voyeuristically intrudes into the foreground darkness of the drab room. The camera takes a moment to adjust to the black interior - and then pans to the right where a post-coital, semi-nude couple have just completed a seedy, lunch-time tryst. Attractive, single middle-aged secretary, Marion (spelled not with an A but an O - signifying emptiness) Crane (Janet Leigh), wearing only a prominent white bra and slip and reclining back on a double bed, is with her shirtless lover/fiancee Sam Loomis (John Gavin) who stands over her. In the background is a bathroom (the first of three bedrooms with bathrooms in the background). It's a hot, Friday afternoon [although December, it undoubtedly looks like a summer day] and they are obviously in the midst of a "secretive" affair in Room No. 514. She loves Sam but they can only furtively see each other during his business trips. Sam has flown in from a small town in California to see Marion - and "steal lunch hours." As she rises to dress and cover up her ample breasts, they discuss further difficulties in their fitful relationship (characterized as more sexual than intimate). Sam secretly enjoys the illicitness of their sleazy, "lurid" affair and suggests seeing her the next week - and even assents to having "lunch - in public." In a semi-ultimatum to Sam, Marion tells him that "this is the last time" - she will deny him further sexual couplings in "secretive" meetings. She expresses her frustration about their private love trysts and her real desire for marriage - she wants chastity, respectability, and public meetings in the place she shares with her sister (where a framed picture of her dead "Mother" morally disapproves, presides, and judges them). [One unanswered question in the film: Did Marion spend years nursing her invalid mother - selfless dedication that contributed to her fate as an old maid?] He agrees to see her under the new terms of 'respectability,' although he reminds her how "a lot of sweating out," "patience," and "hard work" would be prerequisites in a respectable relationship [Marion's sister later tellingly asserts: "Patience doesn't run in my family"] Sam, a small-town (Fairvale, California) hardware store proprietor, is also frustrated and self-pitying because of his money worries - he is a financial martyr, burdened by his father's debts and the alimony he must pay to his ex-wife.
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Paper Information
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Title: psycho
Words: 2918
Rating: None
Pages: 11.7
submitted by: keano16
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